Předmět Literature in Performance (AJ15075)
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Cíl
From ancient bardic poetry, through the long history of drama, to contemporary cinema, television and online videos, much of the world’s literature has been designed for performance. Even prose fiction originally published in books or magazines has often been performed (for instance, in the authors’ tours popular during the 19th century), and of course is frequently adapted for the stage or films. This course will examine the opportunities and constraints that writers, producers and filmmakers encounter when developing work intended for performance. By closely comparing works of various types from many traditions, students will learn how to assess differences in works constructed to be performed rather than read privately, how works are transformed when translated from one medium to another, and how awareness of practical issues arising in performance can strengthen our critical understanding of a given work.
Osnova
18 February: INTRODUCTIONExamples/discussion, The War of the Worlds25 February: BARDIC POETRYREAD: Scholes, The Nature of Narrative, posted excerpts; Willis and Bingham, selections on orality and literacy; Beowulf, posted excerpts )4 March: SHAKESPEAREAN THEATER IREAD: C. & M. Lamb, Tales from Shakespeare, Prefaces and “Midsummer Night’s Dream,” “As You Like It,” and “Hamlet”11 March: SHAKESPEAREAN THEATER IIREAD: Meagher, Shakespeare’s Shakespeare, posted excerpts18 March: LATER THEATERREAD/VIEW: Taylor, Our American Cousin(text and live performance, as announced)25 March: READING AS PERFORMANCEREAD: Kivy, The Performance of Reading, posted excerpts; Poe, “The Tell-Tale Heart,” “The Raven,” “The Balloon Hoax”1 April: POPULAR LITERATURE AND FILMREAD: Dickens, A Christmas Carol (summary and chapter 3); Eisenstein, “Dickens, Griffith, and the Film Today”; Twain, Dickens on Tour8 April: FILMS AND PLAYSVIEW: Singin’ in the Rain (film); READ: Sontag, “Film and Theater"15 April: FILMS AND NOVELSVIEW: 2001: A Space Odyssey (film); READ: Clarke, 2001 (novel), posted excerpts22 April: BROADCAST MEDIAREAD: Bobbitt, “Understanding 'Understanding Media'”; Postman, Amusing Ourselves to Death, chapter 5: “The Peek-a-Boo World”29 April: DIGITAL MEDIARauch, “Sex, Lies, and Video Games”; Schäfer, “Looking Behind the ‘Façade’”6 MAY: NO CLASS MEETING: "READING WEEK"13 May: FURTHER DEVELOPMENTSREAD: Alexander, “Augmented Reality,” and others as posted; review and conclusionAssigned READings and VIEWings to be done outside class will normally be posted online (currently on “Google Drive” at:https://drive.google.com/folderview?id=0ByITdoqGbUYXU3JfWU8zb1R2VkE&usp=sharing).These assignments are subject to changes or additions up to a week in advance of the dates indicated. Watch for announcements of other schedule changes in class or by e-mail.
Literatura
povinná literaturaThe nature of narrative. Edited by Robert Scholes - James Phelan - Robert L. Kellogg. Fortieth anniversary ed., re. New York: Oxford University Press, 2006. xv, 388 p. ISBN 9780199837823. infoLAMB, Charles, Mary LAMB a William SHAKESPEARE. Tales from Shakespeare. London: Penguin Books, 1995. 313 s. ISBN 0-14-062159-8. infoFilm theory and criticism :introductory readings. Edited by Gerald Mast - Matt Cohen. 3rd ed. New York: Oxford University Press, 1985. xxi, 852 s. ISBN 0-19-503573-9. infoMCLUHAN, Marshall. Understanding media : the extencions of man. New York: New American Library, 1966. xi, 318 s. infoBooks: Ringler (transl.), Beowulf; Meagher, Shakespeare's Shakespeare; Taylor, Our American Cousin (play); Levinson, New New Media; Films: Singin' in the Rain, 2001: A Space Odyssey; see syllabus for further details
Požadavky
( AJ09999 Postupová zkouška || AJ01002 Anglický jazyk II ) && AJ07002 Úvod do studia kultury USA II
Garant
Jeffrey Alan Vanderziel, B.A.
Vyučující
Jeffrey Alan Smith, M.A., Ph.D.