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Předmět Současná australská literatura (AJ18083)

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Další informace

Cíl

This course focuses on recent Australian fiction/non-fiction/film and foregrounds the diversity of themes which present Australia as increasingly contested space of diverse histories, knowledges, ethnicities and cultural practices. In several units dedicated to multicultural and immigrant writing, Aboriginal counter-narratives, portraits of mythologized landscapes, history of colonization and nation-building, students will analyze narratives that critically explore Australian identities, and challenge the myth of a homogenous, white, gendered, Anglo-Saxon settler nation. Classes include mini-lectures, film clips, primary and secondary text analyses, and group and class discussions. Students will be expected to read assigned texts, contribute to seminar discussions, write regular response papers and a final essay, incorporating key theoretical concepts framing the course and critical analyses into their work.

Osnova

Week 1: Introduction to course policies, assignments and readings;Defining Australia in Writing: National Identity and “Australiannes”Week 2: Defining Australia in Writing: History and Place; Kate Grenville, The Secret River (2005).Week 3: Aboriginal Voices: The Stolen Generations; Doris Pilkington, Follow the Rabbit-Proof Fence (1996).Week 4: Aboriginal Voices: Contemporary Urban Experience; Alf Taylor, “The Last Drop” and “Charlie” from Long Time Now (2001).Week 5: Australian Myths: Bush and Outback; extracts from Robyn Davidson’s Tracks and films Walkabout (1971), Japanese Story (2003) and Film Australia’s Outback (2002).Week 6: Australian Myths: Ned Kelly – Outlaw or Hero?; Peter Carey, True History of the Kelly Gang (2001).Week 7: Postcolonial Australia: Resistance and Complicity; screening of The Tracker, dir. Rolf de Heer (2002).Week 8: Postcolonial Australia: Resistance and Complicity; The Tracker, dir. Rolf de Heer (2002).Week 9: Gendered Australia: Women and the Bush; “Drover’s Wife” short story cycle (Henry Lawson’s “The Drover’s Wife”, Barbara Bayton’s “The Chosen Vessel”, Murray Bail’s “The Drover’s Wife”, Barbara Jefferis’ “The Drover’s Wife”, Anne Gambling’s “The Drover’s De Facto”, Mandy Sayers “The Drover’s Wife”).Week 10: Gendered Australia: Women and Space/Place; Gail Jones, Sixty Lights (2004).Week 11: The Other Australia: Australian-Chinese Heritage; Brian Castro, Birds of Passage (1982).Week 12: The Other Australia: Writing Multiculturalism; Merlinda Bobis, “White Turtle”; Ania Walwicz, “Wogs” and “New World”;Week 13: Conclusion and Evaluation of the course

Literatura

The secret river. ISBN 9781841958286. infoCastro, Brian. Birds of Passage (1982)JONES, Gail. Sixty lights. London: Vintage, 2004. 249 s. ISBN 0-09-947203-1. infoPILKINGTON, Doris a Nugi GARIMARA. Rabbit-proof fence. New York: Hyperion, 2002. xiv, 136 s. ISBN 0-7868-8784-2. infoCAREY, Peter. True history of the Kelly gang. Pbk. ed. London: Faber and Faber, 2002. 424 s. ISBN 0-571-20987-4. infoGOODWIN, K. L. The Macmillan anthology of Australian literature. Melbourne: Macmillan Company of Australia, 1990. xxii, 629. ISBN 0-333-50159-4. infoSCHAFFER, Kay. Women and the bush :forces of desire in the Australian cultural tradition. Repr. Cambridge: Cambridge University Press, 1990. xv, 229 s. ISBN 0-521-36816-2. infoCARTER, Paul. The road to Botany Bay :an essay in spatial history. 1st publ. London: Faber and Faber, 1987. xxv, 384 s. ISBN 0-571-14551-5. info

Požadavky

AJ09999 Postupová zkouška || AJ01002 Anglický jazyk II

Garant

Jeffrey Alan Vanderziel, B.A.

Vyučující

Mgr. Martina Horáková, Ph.D.