Předmět Teorie Biografie (AJ24090)

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Materiál	Typ	Datum	Počet stažení

Cíl

What today constitutes "biography proper" arose in many ways from the merging of two earlier forms, autobiographical Confessions such as those by St. Augustine or Jean Jacques Rousseau and biographical Lives such as those by Plutarch or Giorgio Vasari. While the first genre tended to trace certain intimate moments of spiritual or intellectual evolution, and the second, the lives of prominent individuals displaced by decades if not centuries from the biographer who often drew from very limited sources, the biographical writing that came after tended to merge the autobiographical residues a figure had left behind--letters, journal and diary entries, remembrances of conversations by contemporaries, personal documents--with the biographical details that were used to construct the traditional Life. From James Boswell's "The Life of Samuel Johnson, LL.D." (1791) to Sir Leslie Stephen's grand project, "The Dictionary of National Biography" (1885-), one finds the biographer constructing a life from as many concrete details as could be compacted within the boards of a book (or several books) and according to prescribed stages, namely "Family background—Birth—Childhood—School years—University—Marriage—Career, adventures, and/or discoveries—Maturity—Decline—Death—Impact beyond the grave" (or slight variations on the same). The Modernists of the Edwardian period (notably the Bloomsbury circle of Stephen's daughter Virginia Woolf) began to question this portrayal of lives, a questioning that led to seminal biographical experiments such as Lytton Strachey's "Eminent Victorians" (1918), which irreverently demolished the reputations of four leading Victorian personages; T. E. Lawrence's "Seven Pillars of Wisdom: A Triumph" (1922), which recounts his own experiences as a British soldier but rather obtusely; and A. J. A. Symons's "The Quest for Corvo: An Experiment in Biography" (1934), a meta-biography that is as much about the biographical quest as the life being portrayed. The Modernists birthed new approaches to writing their own lives as well as the lives of others, influenced by psychoanalysis and other ways of approaching the self. This course will examine those trends, from Boswell forward, and will consider their influence on contemporary biography. Upon successful completion of the course, students will be able to discuss the writing of others with sensitivity and appreciation; have an understanding of the contexts of English (auto)biography; and be familiar with the key biographers and their texts.

Osnova

Lesson 1 (February 26): Introduction. Lesson 2 (March 12): Read Novarr, "Preface" and Chapters 1-3. Lesson 3 (March 26): Read Novarr, Chapters 4-5. Lesson 4 (April 9): Critical issues: Student presentations and classroom discussions based on Rollyson. Lesson 5 (April 23): Alternative biographies. Lesson 6 (May 7): Closure.

Literatura

Dowling, William C. The Boswellian Hero.Athens: U of Georgia P, 2008Clifford, James L. From Puzzles to Portrait: Problems of a Literary Biographer. Chapel Hill: U of North Carolina P, 1970Broughton, Trev Lynn. Men of Letters, Writing Lives: Masculinity and Literary Auto/Biography in the Late Victorian Period. London: Routledge, 1999Symons, A. J. A.. The Quest for Corvo: An Experiment in Biography. New York: New York Review of Books, 2001Spengemann, William C. The Forms of Autobiography: Episodes in the History of a Literary Genre. New Haven: Yale UP, 1980David Novarr, The Lines of Life: Theories of Biography, 1880-1970. West Lafayette: Purdue UP, 1986Rollyson, Carl. Biography: An Annotated Bibliography. Lincoln: iUniverse, 2007Rollyson, Carl. Biography: A User's Guide. Chicago: Ivan R. Dee, 2008

Garant

Jeffrey Alan Vanderziel, B.A.

Vyučující

doc. Michael Matthew Kaylor, PhD.