Předmět Byzantine Iconoclasm (DU1400)

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Materiál	Typ	Datum	Počet stažení

Cíl

The main concern of the course will be the re-evaluation of the period as a momentous one: once we put aside the well-known and obsolete common places iconoclasm still nowadays brings with itself, it should be considered as a pivotal historical interval. The course aims to explain how iconoclasm, for many respects, represented a "workshop" for the development of the middle-Byzantine artistic language.

Osnova

Byzantine art in the iconoclastic period as a political and socio-cultural phenomenon. The chronological range of the course is intended to be wide enough to bridge over the whole period of the so-called Byzantine iconoclastic period, conventionally AD 726 to 843. The religious and political background of the iconoclastic crisis will be analysed in-depth, together with the outcomes it had on the artistic production and practices.

Literatura

Bettetini, Maria: Contro le immagini, le radici dell’iconoclastia. Roma 2006.H. Belting: Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst. München 1990.Kitzinger, Ernst: Byzantine art in the making: main lines of stylistic development in Mediterranean art, 3rd-7th century. Cambridge 1977Barber, Charles: Figure and likeness: on the limits of representation in Byzantine iconoclasm. Princeton 2002.Brubaker, Leslie: Inventing Byzantine iconoclasm. London 2012Brubaker, Leslie: Byzantium in the iconoclast era c. 680 - 85 : a history. Cambridge 2011.

Garant

Ivan Foletti, M.A., Ph.D.