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Předmět Looking at Film Structure in Numbers and Visualisations (FAVz043)

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Další informace

Cíl

Not only film scholar Yuri Tsivian refers to film as "the art of timing". Indeed, cinema is at its core a fleeting art form, which involves all our senses both in a visual and visceral way. However, if we want to understand its underlying structure in order to analyse style, genre or the techniques employed by specific directors, it makes sense to "stop time" and look at the individual shots or even single frames. In my lecture I'd like to talk about my own work in this fast evolving field, which can be situated between quantitative analysis, digital humanties, traditional humanities, film studies and visualisation. Specifically, my investigations - carried out in collaboration with New Media guru Lev Manovich - focus on silent film and on the films of Dziga Vertov in particular. In this course, I will provide examples of how the concept of film structure can be approached drawing from my experiences as both a scholar of Russian studies as well as a working film archivist.

Osnova

C34Monday (14th April)Lecture 1 - 10.50-12.25: Introduction (research corpus of films, excursus: metric films), Digital HumanitiesLecture 2 - 14.10-15:45: Measuring (problems of archival frame rates, possible work-around, project Digital Formalism), formal aspectsTuesday (15th April)Video-time (attendance is obligatory): 12.30-14.00Lecture 3 - 14.10-15.45: Case Study: Dziga Vertov and his films, Kinoglaz-Theory, background (Russian Formalism)Wednesday (16th April)Lecture 4 - 14.10-15.45: Visualisation of filmic structures 1 (Cinemetrics, graphs)Lecture 5 - 15.50-17.25: Visualisation of filmic structures 2 (without reduction, collaboration with Lev Manovich)Thursday (17th April)Lecture 6 - 9.10-10.45: Conclusions, outlook, collaboration with quantitative analysis, further research questions

Garant

prof. PhDr. Jiří Voráč, Ph.D.

Vyučující

Mgr. Radomír D. Kokeš, Ph.D.Mgr. Luděk Havel