Předmět Theory, History and Practice of Screenwriting (FAVz054)
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Další informace
Cíl
The course will provide an overview of history and theory of screenwriting.
Osnova
Course Overview• Introduction• Theory:• Authorship theories• Inter- Transmedial Status of the screenplay• History: Screenwriting for Silent Films: the American History• Format: Scenario, Continuity, Master Scene Script• Organization of dtory Development: Story Conferences• Conventions, norms, Problems and Solutions: Standardization and Differenziation• Analyzing Case Studies: Grand Hotel, Notorious• The social and political contexts: from the Writers Guild to the Blacklist• Role and Function of Screenwriting Manuals• Screenwriting for TelevisionMethods:• Lectures• Working in groups• Working with historical material• DiscussionLiterature:One or two chapters from: Steven Maras: Screenwriting: History, Theory, Practice. Wallflower Press 2008Ian Macdonald: So it's not surprising I'm neurotic The Screenwriter and the Screen Idea Work Group, Journal of Screenwriting, Volume 1, Number 1, 1 January 2010, pp. 45-58Janet Staiger, "Blueprints for Feature Films: Hollywood's Continuity Scripts," in The American Film Industry, ed. Tino Balio. 2nd ed. Madison, Wisconsin: University of Wisconsin Press, 1985. Pp. 173-92Claus Tieber, ‘A story is not a story but a conference’: Story conferences and the classical studio system, in: Journal of Screenwriting 5/2 2014, pp. 225-237
Garant
prof. PhDr. Jiří Voráč, Ph.D.
Vyučující
doc. Mgr. Petr Szczepanik, Ph.D.Mgr. Jan Trnka