Předmět Ballets Russes 1909-1929: Russian art in transition to modernity (VH_787)

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Materiál	Typ	Datum	Počet stažení

Cíl

At the end of the course students should be able to:1. understand the concept of Russian seasons in 1909-1929;2. describe the specifics of music, choreography and stage design of Russian ballets and operaspresented in Russian seasons;3. evaluate the significance of Serge Diaghilev for European art and art management in the XXth century;4. distinguish Russian art of “academism” and “modernity”;5. discuss the tradition of ballet and opera resulted from Russian seasons;6. present one's opinion and participate in debates concerning the topic of Russian and European musical and stage art of the interbellum period.

Osnova

Syllabus• 1. Introduction. Russian art between the centuries.• Presentation of the course, important study information.• Review of Russian history of art from the XVth to the XXth centuries. Tendencies, milestonesand influences.• 2. Russian fin de siècle and the beginning of the XXth century.• The Five, Abramtsevo colony and peredvizhniki.• Serge Djaghilev and “Mir Iskusstva”.• 3. Ballets Russes. Europe discovers Russian art. • Djaghilev's club. Idea and program of the Seasons.• “Petrushka” (Stravinsky – Benois - Fokine)• “Le spectre de la rose” (Weber - Bakst)• 4. Ballets Russes. New choreograpgy.• Fokine, Nizhinsky and Nizhinska, Petipa.• “L'après-midi d'un faune” (Debussy – Bakst - Nizhinsky)• Le Carnaval (Schumann – Bakst - Fokine)• “Fox” (Stravinsky - Nizhinska)• “Sleeping beauty”(Tchajkovsky - Petipa)• 5. Ballets Russes. New music.• “The rite of spring” (Stravinsky - Rerikh)• “Parade” (Sati - Picasso)• 6. Ballets Russes and recreation of epic Russian opera. • “Khovanschina” (Musorgsky)• “Boris Godunov” (Musorgksy)• 7. Ballets Russes and revolution.• New art forms on stage: abstractionism, cubism, suprematism and constructivism.• “Parade” (Sati - Picasso)• “Blue express” (Milhaud - Picasso)• “The three-cornered hat” (de Falla - Picasso)• “Le pas d’acier” (Prokofiev - Yakulov)• 8. Ballets Russes and foreign masters.• Daphnis et Chloe (Ravel - Bakst)• “Le train bleu” (Milhaud – Picasso & Chanel)• “Le dieu bleu” (Hahn – Bakst - Fokine)• “Jeux”(Debussy - Benois)• 9. Ballets Russes and oriental tradition. Rimsky-Korsakov. • “Golden cockerel” (Goncharova - Fokine)• “Scheherazade”(Bakst - Fokine)• 10. Ballets Russes and Russian tradition. Stravinsky. • “Firebird”(Bakst - Fokine)• “Svadebka (Renard)”(Stravinsky – Larionov & Goncharova - Nizhinska)• “The Rite of Spring” (Roerich - Nizhinsky)• 11. Reception of the public and critics. Other artists in Diaghilev's club. • Reception of the Seasons in Europe and America.• Artists surrounding Diaghilev in exile.• Legacy of Ballets Russes and later performances.

Literatura

povinná literaturaInventing abstraction 1910-1925 :how a radical idea changed modern art. ISBN 9780870708282. infoThe Ballets Russes and beyond :music and dance belle-épogue Paris. ISBN 9781107014404. infoThe ballets russes and its world. ISBN 0300061765. infoARNASON, H. H. A history of modern art : painting, sculpture, architecture. London: Thames and Hudson, 1969. infodoporučená literaturaBallets Russes style :Diaghilev's dancers and Paris fashion. ISBN 9781861897572. infoBallets Russes style :Diaghilev's dancers and Paris fashion. ISBN 9781861897572. infoBallets Russes :the art of costume. ISBN 9780642541574. infoDiaghilev observed by critics in England and the United States 1911-1929. ISBN 0903102145. infoErik Satie. ISBN 9781861893215. infoThe art of ballets Russes :the Serge Lifar Collection of theater designs, costumes, and paintings at the Wadsworth Atheneum, Hartford, Connecticut. ISBN 0300074840. infoModern art :impressionism to Post-Modernism. Edited by David Britt. London: Thames & Hudson, 2007. 416 s. ISBN 978-0-500-23841-7. infoKLEIN, Pavel. Scénografové ve službách Les Ballets Russes (1909-1912) :počátky divadelní secese. Vyd. 1. Brno: Janáčkova akademie múzických umění v Brně, 2007. 214 s. ISBN 978-80-86928-29-6. infoKLEIN, Pavel . Zrození Ďagilevových Les Ballets Russes. In Theatralia. Brno: MU, 2005. s. 119-133, 15 s. ISBN 80-210-3785-7. infoWALSH, Stephen. Igor Stravinsky :a creative spring : Russia and France 1882-1934. London: Pimlico, 2002. xvii, 698. ISBN 0-7126-6723-7. infoMAUR, Karin von. The sound of painting :music in modern art. Munich: Prestel, 1999. 127 s. ISBN 3-7913-2082-3. infoDesign for perfotmance :from Diaghilev to the Pet Shop Boys. Edited by Peter Docherty - Tim White. London: Lund Humphries, 1996. 240 s. ISBN 0-85331-720-8. infoJOHNSON, James H. Listening in Paris :a cultural history. Berkeley: University of California Press, 1995. xvi, 384 s. ISBN 0-520-20648-7. infoSOKOLOVA, Lydia. Dancing for Diaghilev :the memoirs of Lydia Sokolova. Edited by Richard Buckle. San Francisco: Mercury House, 1989. xi, 287 s. ISBN 0-916515-49-4. infoStravinsky :selected correspondence. Edited by Robert Craft. 1. pub. London: Faber & Faber, 1984. ix, 544, [. ISBN 0-571-13252-9. infoGORDON, Donald E. Modern art exhibitions 1900-1916 :selected catalogue documentation. Translated by Lucius Grisebach - Léopold Jaumonet - Sara Lehrman. München: Prestel-Verlag, 1974. 906 s. ISBN 3-7913-0066-0. info

Požadavky

Students should have sufficient knowledge of written and spoken English to listen to lectures, read and analyze suggested literature and write essays.

Garant

Mgr. Vladimír Maňas, Ph.D.

Vyučující

Elena KhokhlovaMgr. Vladimír Maňas, Ph.D.