Předmět Films - writing the screen outline (ZUR393m)
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Cíl
The main aim of the subject:Students will be able to understand more how film screenwriting is accomplished.They will gain an insight into the world of making well-known American films.
Osnova
ASSIGNMENTS: three outlines and viewing of all films, one before each class.TEXTS: Story by Robert McKee.FILM LIST:The Kid Stays In The Picture – Brett Morgen from memoir by Robert Evans.The Graduate – Calder Willingham.Butch Cassidy and the Sundance Kid – William Goldman.Point Break – W. Peter Iliff.Annie Hall – Woody Allen and Marshall Brickman.Chinatown – Robert Towne.Jackie Brown – Quentin Tarantino – adapted from Elmore Leonard’s novel Rum Punch.Breaking Bad (Episodes 12, 12 and 13) – Vince Gilligan and team.CLASROOM: Using examples from the film list, Milner will give lectures on the following with remaining class time dedicated to student participation and mutual assistance under Milner’s guidance.GENRES - overview, viewer expectation and the importance of writing within genres.THEME - deciding what the film should be about.Culture in America - at the time.CHARACTERS – understanding the difference between a character and a person, character description and the importance of contrast.PLOT – three-act compared to other forms with and without subplots, the turning point, act climaxes, and the power of withholding information.OUTLINE – Describing the scenes and the action in a card file stack first.DIALOGUE – beats.SCENE TROUBLESHOOTING – scene imperatives.SCREENWRITES GUILD – why it exists. Project registration.DISCUSSION of Copyright, Agents, Producers, Directors, Production Package, Attorneys, and Career Routes.
Garant
prof. PhDr. Jiří Pavelka, CSc.
Vyučující
Mgr. Pavel SedláčekMgr. Pavel Sedláček