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Předmět Innovators in British Drama: Pinter, Churchill, Stoppard: písemná práce (AAALA016B)

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Sylabus

ScheduleWeek 1 (24.2) IntroductionWeek 2 (3.3) Pinter: The Caretaker, The Dumb WaiterWeek 3 (10.3) Pinter: The Lover, Monologue, Family VoicesWeek 4 (17.3) Pinter: Mountain Language, Ashes to AshesWeek 5 (24.3) I WILL BE ABSENTWeek 6 (31.3) Churchill: Top Girls, Cloud NineWeek 7 (7.4) Churchill: Serious Money, Mad Forest, The SkrikerWeek 8 (14.4) Churchill: A Number, Seven Jewish ChildrenWeek 9 (21.4) Stoppard: Jumpers, The Real Inspector HoundWeek 10 (28.4) Stoppard: Every Good Boy Deserves Favour, Professional Foul, Rock ?N? RollWeek 11 (5.5) Stoppard: Arcadia, Indian InkWeek 12 (12.5) Stoppard: Rosencrantz and Guildenstern are Dead Screening

Literatura

Resources available in library:Where there is only one copy of the assigned play extra photocopies of the text will be placed in the library with the librarian for you to collect and copy.Primary:Churchill, Caryl. Cloud nine. London: French, 1985.Churchill, Caryl. Plays: one. London: Methuen, 1989 (10 copies).Churchill, Caryl. Plays: two. London: Methuen, 1990.Churchill, Caryl. Top girls. London: Methuen, 1993.Churchill, Caryl. Seven Jewish Children. http://www.royalcourttheatre.com/whatson01.asp?play=548.Kilgore, Emilie S. ed. Landmarks of Contemporary Women's Drama. With an introduction by Wendy Wasserstein. London: Methuen, 1992.Pinter, Harold. A slight ache and other plays. London: Faber and Faber, 1991.Pinter, Harold. Ashes to ashes. London: Faber and Faber, 1996.Pinter, Harold. Mountain language. London: Faber and Faber, 1988.Pinter, Harold. Plays: four with an introduction by the author. London: Faber and Faber, 1991.Pinter, Harold. Plays: four. with an introduction by the author. London: Methuen, 1986 (8 copies).Pinter, Harold. Plays: one. London: Faber and Faber, 1991 (3 copies).Pinter, Harold. Plays: one. London: Methuen, 1987 (9 copies).Pinter, Harold. Plays: three. London: Faber and Faber, 1991 (2 copies).Pinter, Harold. The caretaker: educational text / Harold Pinter ; Edited and with an introduction by Margaret Rose. London: Faber and Faber, 1993.Pinter, Harold. The caretaker. London: Eyre Methuen, 1973 (2 copies).Pinter, Harold. The caretaker. London: Faber and Faber, 2000 (5 copies).Pinter, Harold. The caretaker. London: French, Cop. 1960 (10 copies).Pinter, Harold. The collection and the lover. London: Methuen & Co Ltd, 1963.Pinter, Harold. The Dumb Waiter. London: Samuel French, 1960.Stoppard, Tom. Arcadia. London: Faber and Faber, 1993.Stoppard, Tom. Every good boy deserves favour: a play for actors and orchestra. London: Faber and Faber, 1990.Stoppard, Tom. Hry. [z angl. orig. přel. Dana Hábová, Jaroslav Kořán, Jitka Sloupová] Praha: Divadelní ústav, 2002.Stoppard, Tom. Jumpers. London: Faber and Faber, 1976.Stoppard, Tom. Jumpers. London: Faber and Faber, 1986.Stoppard, Tom. Jumpers. New York: Grove Press, 1981.Stoppard, Tom. Rock'n'roll.[introduction Tom Stoppard; author's notes Tom Stoppard]. London: Faber and Faber, 2006.Stoppard, Tom. The real inspector Hound and other entertainments. London: Faber and Faber, 1993.Stoppard, Tom. The Real Inspector Hound. London: Faber and Faber, 1975.Walter Levy ed. Modern Drama: selected plays from 1879 to the present. Upper Saddle River: Prentice Hall, 1999.Wandor, Michelene ed. Plays by Women. Volume four. London: Methuen, 1988.Secondary:Bareham, T. ed. Tom Stoppard, Rosencrantz and Guildenstern are dead, Jumpers, Travesties: a casebook. London: Macmillan, 1990.Brook, Peter. The empty space . Repr. (1990). London: Penguin Books.Brown, John Russell ed. Modern British dramatists: a collection of critical essays. Englewood Cliffs: Prentice Hall, 1968.Drakakis, John ed. British radio drama. Cambridge: Cambridge University Press, 1981. Dutton, Richard. Modern tragicomedy and the British tradition: Beckett, Pinter, Stoppard, Albee and Storey . Brighton (Sussex, GB): Harvester Press, 1986.Elsom, John. Post-war British theatre criticism . London: Routledge & Kegan Paul, 1981. Esslin, Martin. Pinter the playwright . London: Methuen, 1992.Esslin, Martin. The theatre of the absurd [Penguin]. - 3rd ed., rev. and enlarged; repr. (1982). Harmondsworth: Penguin Books, 1980.Gordon, Robert. Rosencrantz and Guildenstern Are Dead, Jumpers and The Real Thing: text and performance. London: Macmillan, 1991.Hayman, Ronald. British theatre since 1955: a reassessment . Oxford: Oxford University Press, 1979.Innes, Christopher. Modern British drama 1890-1990 . Cambridge: Cambridge University Press, 1992.Innes, Christopher. Modern British drama: the twentieth century . Cambridge: Cambridge University Press, 2002. Roose-Evans, James. Experimental theatre from Stanislavsky to Peter Brook London: Routledge, 2001.Shepherd, Simon and Peter Womack. English drama: a cultural history. Oxford; Cambridge: Blackwell, 1996.Sierz, Aleks. In-yer-face theatre: British drama today . London: Faber and Faber, 2001.Tőrnqvist, Egil. Transposing drama: studies in representation. London: Macmillan, 1991.Zeifman, Hersh and Cynthia Zimmerman eds. Contemporary British drama, 1970-90. Toronto; Buffalo: University of Toronto Press, 1993. Websites:In-Yer-Face Theatre by Aleks Sierz http://www.inyerface-theatre.com/intro.htmlPost War British Drama (information and links on Osborne, Pinter, Stoppard) http://web.simmons.edu/~burkev/britishdrama1.htmlThe German Society for contemporary theatre and drama in English http://fb14.uni-mainz.de/projects/cde/iindex.htmlThe British Theatre Guidehttp://www.britishtheatreguide.infoThe Theatre Institute in Praguehttp://www.divadlo.cz/ OR http://www.theatre.cz/HaroldPinter.org http://www.haroldpinter.org/home/index.shtmlA Tom Stoppard Bibliography http://www.geocities.com/stoppard2004/index.htmlArticle on Churchill by John A. Price ?The Language of Caryl Churchill: the Rhythms of Feminist Theory, Acting Theory, and Gender Politics? http://www.womenwriters.net/editorials/PriceEd1.htm

Garant

doc. Clare Wallace, M.A., Ph.D.