Předmět SP - Film, Society, and Political Power in Central and Southeastern Europe (AHSV20239)

Na serveru studentino.cz naleznete nejrůznější studijní materiály: zápisky z přednášek nebo cvičení, vzorové testy, seminární práce, domácí úkoly a další z předmětu AHSV20239 - SP - Film, Society, and Political Power in Central and Southeastern Europe, Filozofická fakulta, Univerzita Karlova v Praze (UK).

Materiál	Typ	Datum	Počet stažení

Sylabus

1. General concepts Film, Political Power, Representations, Legitimacy, Reception, methodological challenges. LiteratureMartin Mevius (ed.), The Communist Quest for National Legitimacy in Europe, 1918-1989, Routledge 2013.Cristina Vatulescu, Police Aesthetics, Literature, Film, and the Secret Police (intelligence unit) in Soviet Times, Stanford University Press 2010 (see the concept of representation). 2. Film and surveillance, obedience and disintegration FilmOrson Welles (dir.), The Trial (1961). (See for comparison: Emyr ap Richard, Darhad Erdenibulag (directors), K (2015)). Miloš Forman (dir.), The Firemen’s Ball, (Czech dir. Hoří, má panenko, 1967). Dušan Hanák (Slovak dir.), 322 (1969). Karel Kachyňa (dir.), The Ear (Cz. Ucho, 1969). LiteraturSerazer Pekerman, The Schizoanalysis of European Surveillance Films, in: David Martin-Jones / William Brown (eds.), Deleuze and Film, Edinburgh UP, 121-136. Kirstie Ball, Routledge Handbook of Surveillance Studies, Routlege (London a.o.) 2012. George Orwell, 1984, (first Secker & Warburg, London 1949), Penguin Books 2008, see also as EBook of Adelaide University: http://ebooks.adelaide.edu.au/o/orwell/george/o79n/index.html Michael, Douglas Gose, Getting Reel: A Social Science Perspective on Film, (Cambria Press), New York 2006. Kees Boersma, Rosamunde van Brakel, Chiara Fonio, Pieter Wagenaar (eds.), Histories of State Surveillance in Europe and Beyond, Oxon 2014. Franz Kafka, The Trial (first 1914; Harmondsworth 1968 or as a Gutenberg EBook: http://www.gutenberg.org/cache/epub/7849/pg7849.html).Michel Foucault, Discipline and Punish: the Birth of the Prison (NY 1975). (from Jeremy Bentham`s Panopticon to Foucault`s Panoptism, Bauman`s Postpanoptikon and Bran-den Hookway`s Panspectron). 3. Film and the Staging of State Order Film CCTV (Chinese State Television), https://www.youtube.com/watch?v=6o2mHGrq_CY (a six epi-sodes propaganda documentary). TVR (Romanian State Television), film sequences from Ceauşescus trial 1989 in Andrei Ujicăs film, see bellow. Jiří Sequens (dir.), The Thirty Cases of Major Zeman (1975-1979) DEFA (Studios), Polizeiruf 110 (1971-1990). Rangel Valcanov (director), The Inspector and the Night (1963, Bg. Inspektorut i noshta). LiteratureJohn Hill and Pamela Church Gibson (eds.), Oxford Guide to Film Studies (see chapter “Film Text and Context: Culture, History and Reception”), Oxford University Press 1998. Rolf Michaelis, Heimatlos in der Heimat, in Die Zeit Nr. 33, 07.08.1981, S. 29, siehe Archiv bei Zeit Online: http://www.zeit.de/1981/33/heimatlos-in-der-heimat Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction (first 1934), Penguin Books 2008.Veronika Pehe, Retro Reappropriations. Responses to the Thirty Cases of Major Zeman in TheCzech Republik, in: Journal of European Television, History and Culture, Vol. 3, %/2014. 4.Film and Violence (from abroad, from within, State violence, censored violence) Film Ryszard Bugajski (dir.), Interrogation, (Pol. Przesłuchanie 1982). Pintilie (dir.), Reconstruction, 1968. Thomas Jacob (dir.), Polizeiruf 110: Dt. Der Kreuzworträtselfall (1988). Literature Richard Cross, Norry LaPorte, Kevin Morgan, Matthew Worley (eds.), Communism and Political Violence, No. 2 - May 2010 of Twentieth Century Communism. A Journal of International History. (see also Annual Conference Report_Violence IOS Regensburg: http://www.physicalviolence.eu/sites/default/files/Annual%20Conference%20Report_Violence%20IOS%20Regensburg.pdf, about violence in late socialism). 5.Film and Show Trial FilmSee “7”. Stanley Kramer (dir.), Judgement at Nürnberg (1961). Costa-Gavras (dir.), The Confession (Fr. L`Aveu, 1970). Andreas Johnsen (dir.), Ai Wei Wei, The Fake Case (2013) Aleš Březinas (dir.), Toufar - The Torture Games, Nationales Opertheater, Prag, Tschechische Re-publik (2013) relating to the priest Toufar`s show trial Kirchhof (dir.), Normalization (2014). LiteraturSchlicht, Robert, Film als Schauprozess / Film as a Show Trial, in: Tobias Hering (Hg.), Der Stand-punkt der Aufnahme - Point of View. Positionen politischer Film- und Videoarbeit, Berlin 2014. Vatulescu, Cristina The Medium on Trial: Orson Welles Takes on Kafka and Cinema, in: Literature Film Quarterly, Bd. 41, Nr. 1/2013, S. 52-56. 6.Discussion Round on term papers. 7.Film and Police InvestigationThe Reconstruction of Crime Scenes (A discursive relationship). FilmSee “5”. Virgil Calotescu (dir.), The Reconstruction (1960) Lucian Pintilie (dir.), The Reconstruction (1968) Irene Lusztig (dir.), Reconstruction (2001) Alexandru Solomon (dir.), The Big Communist Robbery (2004) Nae Caranfil (dir.), Closer to the Moon (2013). Literature(will be updated) 8.Film and Denunciation Peter Bacso (dir.), The Witness (1969). Literature(will be updated) 9. The Educational Film (public or within the Ministry of Interior Affairs Film Ovidiu Bose Paştina (dir.), One Victim and Many Culprits (Rom. O victimă şi mai mulți vinovați, 1983). Sergiu Nicolaescu (dir.), Dangerous Curve (my translation), Rom. Viraj Periclos (1983). (will be updated; see literature on socialist realism) 10. Film and Public Revolt Kieślowski (dir.), „Arbeiter `71 - Nichts über uns ohne uns“ (1972). Jerzy Wojcik (dir.), Lament (Pol. Skarga“, 1991). Antoni Krauze (dir.), Black Thursday, (Pol. Czarny czwartek), 2013.(will be updated) 11. Between Obedience and Mobility in film FilmDrăgan (dir.), Brigada Miscellaneous (1970, 1971). (will be updated) LiteratureVannini, P (ed.) (2009) The cultures of alternative mobilities. Routes less travelled, Burlington: Ashgate. Siegelbaum, L H (2011) ‘Introduction’, in L H Siegelbaum (ed.) The socialist car. Automobility in the Eastern Bloc, Ithaca: Cornel University Press. Scott, C J (1990) Domination and the arts of resistance: hidden transcripts, London and New Ha-ven: Yale University Press. Gardiner, M E (2000) Critiques of everyday life, London and New York: Routledge. Gătăjel, L (2011) ‘The common heritage of the socialist car culture’, in L H Siegelbaum (ed.) The socialist car. Automobility in the Eastern Bloc, Ithaka: Cornel University Press. Michel de Certeau, M. (1988) The practice of everyday life, Berkeley, Los Angeles and London: University of California Press. 12. Final Discussion and Conclusions

Literatura

General Filmography (selection)Orson Welles (dir.), The Trial (1961).See for comparison: Emyr ap Richard, Darhad Erdenibulag (directors), K (2015). Stanley Kramer (director), Judgement at Nürnberg (1961). Costa-Gavras (director), The Confession (1970, Fr. L`Aveu). Ai Wei Wei (director), One Recluse, documentary about Yang Jia, The Cop Killer (own translation), https://www.youtube.com/watch?v=nm00JuLm3vI Tang Shu Shuen (director), China Behind (1974), https://www.youtube.com/watch?v=8XlWDzABOSs Lu Chuan (director), The Missing Gun, https://www.youtube.com/watch?v=5NeAAd_D5LQ&list=PL550804D392B262EA Andreas Johnsen (director), Ai Wei Wei, The Fake Case (2013). CCTV (Chinese State Television), https://www.youtube.com/watch?v=6o2mHGrq_CY (a six epi-sodes propaganda documentary). TVR (Romanian State Television), film sequences from Ceauşescus trial 1989 trial in Andrei Ujicăs film, see below. Andrei Ujică/Harun Farocki (dirs.), Videograme einer Revolution (1992). Filmography by countryThe Czechoslovak Republik: Miloš Forman, The Firemen’s Ball, (Czech dir. Hoří, má panenko, 1967), Dušan Hanák (Slovak dir.), 322 (1969), the same (dir.), Papierové Hlavy (Engl. Paper Heads, 1995), Karel Kachyňa (dir.), The Ear (Cz. Ucho, 1969); Agnieszka Holland (director), Die Helden von Prague (2013, about Jan Palach), Březina (dir.), Toufar - The Torture Games, Nationales Oper-theater, Prag, Tschechische Republik (2013), the TV series “The Thirty Criminal Cases of Major Zeman” (1970s), Kirchhof (director), Normalization (2014). Bulgaria: Rangel Valcanov (director), The Inspector and the Night (1963, Bg. Inspektorut i noshta), Valcanov (director), The Investigator and the Forest (1976, Bg. Sledovateliat i grata), Opasen Char (1984), Emma Konstantinova (director), “The File on the DC (Bulgarian Secret Police), (2009, Bg. Dosieta na DC), see: http://vimeo.com/28722364.(The) Geman Democrat Republik: Gerhard Klein (dir.), Berlin - Ecke Schönhauser (1957), DEFA (GDR State Film Studios), Polizeiruf 110, TV series running between (1971 and 1990; Richard Groschopp (dir.), Die Glatzkopfbande (Engl. The Baldheaded Gang, 1963), Kurt Maetzig (dir.), Das Kaninchen bin ich (1965), Frank Beyer (dir.), Spur der Steine (1966), See for a comparison Jürgen Roland (dir.), Stahlnetz (1958-1968), a crime series of 28 episodes broadcasted by the West-German NDR television. Hungary: Miklós Jancsó (dir.), The Confrontation (Hg. Fényes szelek, 1969), La pacifista (1970), La tecnica e il rito (1971), Vizi privati, Pubbliche vertu (1976); Peter Bacso (dir.), The Witness (1969), see also, Eszter Hajdu (dir.), Judgement in Hungary (2013), András Jeles (dir.), Artisans - The Dream Brigade, (Hg. Mesteremberek- Álombrigad, 1985), Poland: The Uprisings 1971 and their official “broadcasting”, Kieślowski (director) „Nichts über uns ohne uns“ (1972), Wojcik (director), film about the uprisings in 1971( or the 1971 uprising) (1991), Krauze (director), film about the uprisings in 1971 (2013), Ryszard Bugajski (director), Verhör einer Frau (1982).Romania: Mircea Drăgan (dir.), Brigade Miscellaneous (Rom. Brigada Diverse, three parts, 1970, 1971 and 1971), Nicoalescu (dir.), the series with detective Miclovan/Moldovan (1972, 1973, 1974, 1978, 1981); Virgil Calotescu (dir.), The Reconstruction (1960), Lucian Pintilie (dir.), The Recon-struction (1968), Irene Lusztig (dir.), Reconstruction (2001), Alexandru Solomon (dir.), The Big Communist Robbery (2004), Nae Caranfil (dir.), Closer to the Moon (2013), Andrei Ujică (direc-tor), The Autobiography of Nicolae Ceauşescu (2010). Bibliography Hannah Arendt, Eichmann in Jerusalem: report of the banality of evil, London 1963. Moisés Kaufman, Gross Indecency: The Three Trials of Oscar Wilde (1997). Michel Foucault, Discipline and Punish: the Birth of the Prison (NY 1975). Samuel A. Chambers, Police and Oligarchy, in: Jeanne Philippe Deranty, Jacques Rancière. Key Concepts, Durham 2010, S. 57-68 Jean-Phillipe Deranty, Introduction: A Journey in Equality, in: ders. (Hg.), Jacques Rancière: Key Concepts, Durham 2010, S. 1-14. Michael Leuffen, Philosophie und Handwerk der Ästhetik, Buchvorstellung (Volfgang Beilenhoff (Hg.), Poetika Kino. Theorie und Praxis des Films im russischen Formaliamus, F.a.M. 2005), schnitt.de/232,5039,09.html, Stand: 13.1.15. O. A., Robert Kirchhoff, Normalization, (Slowakei, Tschechien 2013), URL: http:www.oneworld.cz/2014/films-a-z25897-normalization#sthash.nbSYEZWV.dpuf, Stand:14.1.15. Irene Lusztig, Reconstruction. English transcript, in: Komsomol Films, http://www.komsomolfilms.com/filmsframeset.html, Stand: 3.1.2012. O. A., Toufar - The Torture Games, Nationales Opertheater, Prag, Tschechische Republik, eine Pro-duktion im Rahmen des internationalen, interdisziplinären Projektes „Parallel Lives, 20th Century through the Eyes of Secret Police“, Internationales Theaterfestival Divadelná Nitra, URL: en.parallel-lives.eu/productions/toufar, Stand: 14.1.15. Vatulescu, Cristina, Police Aesthetics, Literature, Film, and the Secret Police in Soviet Times, Stan-ford University Press 2010. Vatulescu, Cristina The Medium on Trial: Orson Welles Takes on Kafka and Cinema, in: Literature Film Quarterly, Bd. 41, Nr. 1/2013, S. 52-56. Schlicht, Robert, Film als Schauprozess / Film as (a) Show Trial, in: Tobias Hering (Hg.), Der Standpunkt der Aufnahme - Point of View. Positionen politischer Film- und Videoarbeit, Berlin 2014. John Hill and Pamela Church Gibson (eds.), Oxford Guide to Film Studies (see chapter “Film Text and Context: Culture, History and Reception”), Oxford University Press 1998. Rolf Michaelis, Heimatlos in der Heimat, in Die Zeit Nr. 33, 07.08.1981, S. 29, siehe Archiv bei Zeit Online: http://www.zeit.de/1981/33/heimatlos-in-der-heimat Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction (first 1934), Penguin Books 2008. Franz Kafka, The Trial (first 1914; Harmondsworth 1968 or as a Gutenberg EBook: http://www.gutenberg.org/cache/epub/7849/pg7849.html). Zoltán Gregus, Images of Strangeness in András Jeles`s Films, in: Univ. Sapientiae, Film and Media Studies, 1 (2009), 117-135. Veronika Pehe, Retro Reappropriations. Responses to the Thirty Cases of Major Zeman in The Czech Republik, in: Journal of European Television, History and Culture, Vol. 3, %/2014.

Garant

Ciprian Cirniala, Dr.