Předmět Audiovizual Interpreting the Reality (JJB148)

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Materiál	Typ	Datum	Počet stažení

Sylabus

Syllabus JJB148 - Fall 2015 1. Lecture:  Autenthicity - the main valueLIT:ROTHMAN, William: Eternal Verités. In: WARREN, Charles (eds.): Beyond Document. Essays on nonfiction Film. Wesleyan University  Press, Hanover and London 1996, p. 79-99BENNETT, Carl: Film Authenticity. Evaluation. In: http://authenticcinema.blogspot.cz/ROBINSON, Andrew: Walter Benjamin: Art, Aura and Authenticity. In: Ceasefire. http://ceasefiremagazine.co.uk/walter-benjamin-art-aura-authenticity/ 2. Lecture: Components of Audiovisual LanguageLIT: Components of Film Study and Analysis. In: http://www.westga.edu/~bjames/ComponentsofFilm.htmElements of Film Making. In: http://www.filmclass.net/ElementsFilm.htm  3. Lecture: Between two Poles: Reality and Piece of Work LIT:RUSHTON, Richard: The Reality of Film: Theories of Filmic Reality. Manchaster University Press, 2013.Realism and "Reality" in Film and Media. Museum Tusculanum Press, University of Copenhagen. 2002 4.  Lecture: Between Two Poles: Objectivity and Author´s SubjectLIT: FELDMAN, Seth: Peace between Man and Machine. In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 40-54RUBY, Jay: The Image Mirrored: Reflexivity and the Documentary Film. In: ROSENTAHL, Alan: New Challenges for Documentary. University of California Press, Berkeley. 1988, p. 64-75SCHINDEL, Daniel: Objectivity in Documentary Film. Moviemezzanine.com In: http://moviemezzanine.com/objectivity-in-documentary-film/BALDWIN, Belinda: The Death of Objectivity? When Documentary Footage Becomes Evidence. Documentary.org In: http://www.documentary.org/magazine/death-objectivity-when-documentary-footage-becomes-evidenceMORRIS, Peter H.: Objectivity in Documentary. In: http://peterhmorris.com/hello-world-2/  5. Lecture:  Observational ModeLIT:BRUZZI, Stella: The legacy of direct cinema. In: New Documentary: A critical Introduction. Routledge, London 2000, p. 67-74BENSON W. Tomas-ANDERSON, Carolyn: The Politics of the Double Bind. High school. In: Reality Fictions. The Film of Frederic Wiseman. Southern Illinois University Press, Carbondale and Edwardsville, 2002 p. 197-146BENSON W. Tomas-ANDERSON, Carolyn: Reality Fictions and the Rhetoric  of Documentary. In: Reality Fictions. The Film of Frederic Wiseman. Southern Illinois University Press, Carbondale and Edwardsville, 2002, p. 197-146Modes of Documentary - Bill Nichols. In: http://www.godnose.co.uk/downloads/alevel/documentary/Doc%20Modes%20nichols.pdfNICHOLS, Bill: What Type sof Documentary Are There? In: NICHOLS, BILL: Introduction to Documentary. Indiana University Press, Bloomington 2001, p. 99-137 In: http://www.ccm.gov.mo/prog10/mifvf/bill_nichols_6_modes_documentary.pdf  6. Lecture: Forms of Representation and Birth of StereotypeLIT:BARSAM, Richard: Nanook of the North, In: BARSAM, R.: The vision of Robert Flaherty. The Artist as Myth and Filmmaker. Indiana University Press, Bloomington and Indianapolis, 1988, p. 12-27 BEATTIE, Keith: Believe Me, I´am of the World: Documentary Representation. In: BEATTIE, KEITH: Documentary Screens. Nonfiction Film and Television. Palgrave MacMillan, New York, 2004, p. 10-26Representation. In: BLANDFORD, Steve-GRANT, Barry Keith-HILLIER, Jim: The Film Studies Dictionary. Arnold, London, 2001.  7. Lecture: Role of StylizationLIT:LIPKIN, Steve: Defining Docudrama: In the name of the Father, Schindler´s List, and JFK. In: ROSENTAHL, Alan (eds.): Why Docudrama? Fact-Fiction on Film and TV. Southern Illinois University Press. 1999,Sliding Scale of Realism vs. Stylization. In: http://tvtropes.org/pmwiki/discussion.php?id=9u8wbb72a7cphq78tzj9pjaj  8.  Lecture:  Poetic ModePoetry-Film & The Film Poem: Some Clarifications. In: http://www.studycollection.co.uk/poetry.htmlMovie review: Powaqqatsi: Life in Transformation. In: tetsuobroker2099. In: http://tetsuobroker2099.blogspot.cz/2012/04/movie-review-powaqqatsi-life-in.html 9. Lecture: Creative Treatment of ActualityLIT:GRIERSON, John: First Principles of Documentary (1934). In: BARSAM, Richard Meran: Nonfiction Film. Theory and Criticism. A Dutton Paperback. New York, 1976.LOVEL, Alan-HILLIER, Jim: The Documentary Film Movement: John Grierson. In: Studies in Documnetary. The Viking Press, New York, 1972, p. 9-35BERNSTEIN, Matthew: Documentaphobia and Mixes Modes. In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 397-415MOHAMED, Sufi: Documentary Film Theory and John Grierson. In: Indiejudge. In: http://www.indiejudge.com/film-theory/documentary-film-theory-john-grierson/  10. Lecture: Imaging of a Man/HumanLIT: KUEHL, Jerry: Lies about Real People. In: ROSENTAHL, Alan (eds.): Why Docudrama? Fact-Fiction on Film and TV. Southern Illinois University Press. 1999, p. 119-124BRUZZI, Stella: The president and the image: Kennedy, Nixon, Clinton. In: New Documentary: A critical Introduction. Routledge, London 2000, p. 127-152  11. Lecture: Imaging of a Place/Genius LociLIT:GALT, Rosalind: Pretty: Film and the Decorative Image. Columbia University Press, New York, 2011HALLAM, Julia: Mapping the "City" Film 1930-1980. In: HALLAM, Julia-ROBERTS, Les: Locating the Moving Image. New Approaches to Film and Place. Indiana University Press. Bloomington-Indianapolis, 2014 12. Lecture: Imaging of a Time/EpochLIT:HALL, Jeannie: Don´t You Ever Just Watch?  In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 40-54  HAGITH, Toby-NEWMAN, Joann: The Holocaust and the Moving Image - Representations in Film and Television Since 1933. Wallflower Press, 2005. 

Literatura

* References and selected bibliography:BARNOW, Erik: Documentary. A history of the Non-fiction Film. Oxford Univesrity Press, New York, 1993.BLANDFORD, Steve-GRANT, Barry Keith-HILLIER, Jim: The Film Studies Dictionary. Arnold, London, 2001.CORNER, John: The art of record. A critical introduction to documentary. Manchaster University Press, Manchester 1996.ELLIS, Jack. C.-McLANE, Betsy, A.: A New History of Documentary Film. Continuum, New York-London, 2009McCREADIE, Marsha: Documentary Superstars. How Today´s Filmmakers Are Reinventing the Form. Allworth Press, New York, 2008.LEACOCK, Richard: The Feeling of Being There. A Filmmaker´s Memoir. Seueion, Semeion Editions, France 2011.WINSTON, Brian: Lies, Damn Lies and Documentaries. British Film Institute, London 2000.+ literature in each lecture

Garant

doc. MgA. Martin Štoll, Ph.D.

Vyučující

doc. MgA. Martin Štoll, Ph.D.