Předmět Media and Technical Images (JJM298)
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Další informace
Cíl
The aim of this course is to raise the awareness of the most common forms of visual media, photography, and increase the visual literacy of students. Students will deal with essential texts on theory of photography accompanied by the examples of relevant works from the history of photography. Students should gain deeper understanding of the characteristics of the photographic media, philosophical problems related to it and deeper their visual literacy.
Sylabus
Topics1st week: Introduction/Perspective - development of modern visuality2nd week: Traditional vs. technical images3rd week: New visuality4th week: Technical media and temporality5th week: Visuality and digital age6th week: Semiotics and signs7th week: Students self-evaluation I8th week: Reality - theatricality - virtuality9th week: Visual violence - war pornography 10th week: Technological determinism11th week: Limits of photojournalism - paparazzi12th week: New media - trends - Photography13th week: Students self-evaluation II /Final Discussion
Literatura
Berger, John (1972). Ways of Seeing. London: British Broadcasting Corporation and Penguin Books. 0-14-021631-6.BATCHEN, G. (1999). Burning with Desire. 1st ed. Cambridge Mass.: The MIT Press, 1999.BATCHEN. G. (2002). Each wild idea : writing, photography, history. Cambridge, Massachusetts : MIT Press.Barthes, R. (1981). Camera Lucida New York: Hill and Wang-Controverses : une histoire juridique et éthique de la photographie / Daniel Girardin ; Christian Pirker. Arles : Actes Sud ; Lausanne : Musée de l'Elysée, 2008ELKINS, J. (2007). Photography theory / edited by James Elkins New York ; London : Routledge.ELKINS, J. (2011). What photography is. New York: Routledge, 2011.EVANS, J., HALL, S. (2002).Visual Culture: the reader. 3. vyd. London: SAGE Publications.FINEMAN, M. (2012). Faking it: manipulated photography before Photoshop. New York: Metropolitan Museum of Art.FLUSSER, V. (2011). Into the Universe of Technical Images (Trans. Nancy Ann Roth). Minneapolis: University of Minnesota Press.FONTCUBERTA. J. (2014). Pandora's Camera, London: Mack.GEFTER, P. (2009). Photography after Frank / essays by Philip Gefter New York : Aperture.KUKKONEN, K. a M. STOCCHETTI. (2011) Images in use: towards the critical analysis of visual communication [online]. Amsterdam: John Benjamins Pub. Co.MIRZOEFF, N. (2008). An Introduction to Visual Culture.2nd Ed. London: Routledge.LISTER, M. (ed.). (2013). The photographic image in digital culture. London ; New York : Routledge.RITCHIN, F. (2009). After photography. 1st ed. New York: W. W. Norton, c2009.RITCHIN, F. (2010). Bending the frame: photojournalism, documentary, and the citizen. 1st ed. New York: Aperture.SCOTT, C. (1999). The spoken image : photography and language. London : Reaktion.Sontag, S. (1977). On Photography", Penguin, London.STRAUSS LEVI, D. (2014). Words not spent today. Buy smaller images tomorrow. New York: Aperture.TAGG, J. (2009). The disciplinary frame : photographic truths and the capture of meaning / John Tagg. Minneapolis : University of Minnesota Press.WELLS, L. (2004). Photography : a critical introduction / Liz Wells New York : Routledge.ZUROMSKIS, C. (2013). Snapshot photography: The lives of images. Cambridge: MIT Press.
Garant
Doc. Filip Láb, PhD.Mgr. Sandra Štefaniková